Quick start guide, Basic operation, Channel controls – Yorkville LP-C12 Manuel d'utilisation

Page 3: Lp-c12

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S t a g e L i g h t i n g

LP-C12

1

LP-C12

The Yorkville Sound

LP-C12 is a highly flexi-

ble stage lighting control-

ler that doesn’t sacrifice

ease of use to achieve a

wide range of functional-

ity. With twelve channels

of lighting control and

a broad assortment

of chase, audio, and

other effects to choose

from, the LP-C12 has

what it takes to get you

through nearly any job

you can throw at it.

The

LP-C12 can be used to

control any combination of

the Yorkville LP series light bars,

including the older LP302 and LP304.

Please note that the LP-C12 will not work with

other brands of lights that use DMX control.

Q

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1. Connect a standard XLR cable from the LP-C12 to any compatible Yorkville lighting product

(LP-LED4, LP302 and/or the LP304).

2. Plug the light bar into a standard 3-pronged grounded AC receptacle, both the light bar and

the controller (which is powered from the light bar) will turn on.

3. Push the Scene 1 button on the controller and set up your lights for your first scene (the color

control is active only for the LP-LED4 and other LP-LED color controllable products).

4. Changes to a scene are stored in memory in real time, so you don’t need to do anything to

store the scene you’ve created. The next time you load Scene 1, it will come back just as

you’ve set it up now.

Hint: The factory preset

scenes and some of the

effects patches were created

with the assumption that

lights 1-4 and lights 5-8 are

set at the front of the stage

facing back on performers

and lights 9-12 (if used) are

set up shining on the rear

wall behind the performers.

B

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The LP-C12 was designed spe-

cifically to work with the Yorkville

LP-LED series products like

the LP-LED4, but it was also

designed to be backward compat-

ible with our legacy LP302 and

LP304 light bars. All of the func-

tions described here are the same

for all Yorkville lighting products

except where specifically noted.

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OntrOLS

The channels are grouped in three

rows of four controls, with each row

corresponding to one of the XLR

outputs on the rear of the controller.

Each channel has two controls:

9

10

11

12

5

6

7

8

1

2

3

4

Intensity

Intensity

Intensity

Intensity

Intensity

Intensity

Intensity

Intensity

Intensity

Intensity

Intensity

Intensity

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5 -

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