Roland Piano - Manuel (Page 57)

57
Creating a Patch
Creating a Patch
fig.Struct-04
This type applies a booster to distort the waveform, and then
combines the two filters. The TVA for tone 1 (or 3) controls the
volume balance between the two tones and adjusts booster level.
fig.Struct-05
This type uses a ring modulator to create new overtones, and
combines the two filters. The tone 1 (3) TVA will control the volume
balance of the two tones, adjusting the depth of ring modulator.
fig.Struct-06
This type uses a ring modulator to create new overtones, and in
addition mixes in the sound of tone 2 (4) and stacks the two filters.
Since the ring-modulated sound can be mixed with tone 2 (4), tone 1
(3) TVA can adjust the amount of the ring-modulated sound.
fig.Struct-07
This type applies a filter to tone 1 (3) and ring-modulates it with tone
2 (4) to create new overtones.
fig.Struct-08
This type sends the filtered tone 1 (3) and tone 2 (4) through a ring
modulator, and then mixes in the sound of tone 2 (4) and applies a
filter to the result.
fig.Struct-09
This type passes the filtered sound of each tone through a ring
modulator to create new overtones. The tone 1 (3) TVA will control
the volume balance of the two tones, adjusting the depth of ring
modulator.
fig.Struct-10
This type passes the filtered sound of each tone through a ring
modulator to create new overtones, and also mixes in the sound of
tone 2 (4). Since the ring-modulated sound can be mixed with tone 2
(4), tone 1 (3) TVA can adjust the amount of the ring-modulated
sound.
• If you select a tone while on the Structure screen, the tone paired
with the selected tone will also be selected.
• When TYPE 2–10 is selected and one tone of a pair is turned off,
the other tone will be sounded as TYPE 1 regardless of the
displayed setting.
• If you limit the keyboard area in which a tone will sound
(Keyboard Range p. 58) or limit the range of velocities for which
it will sound (Velocity Range p. 59), the result in areas or ranges
where the tone does not sound is just as if the tone had been
turned off. This means that if TYPE 2–10 is selected and you
create a keyboard area or velocity range in which one tone of a
pair does not sound, notes played in that area or range will be
sounded by the other tone as TYPE 1 regardless of the displayed
setting.
Booster 1&2, 3&4 (Booster Gain)
When a Structure Type of TYPE 3 or TYPE 4 is selected, you can
adjust the depth of the booster. The booster increases the input
signal in order to distort the sound. This creates the distortion effect
frequently used with electric guitars. Higher settings will produce
more distortion.
Value: 0, +6, +12, +18
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
B
TYPE 4
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 5
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 6
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 7
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 8
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 9
TONE 1 (3)
TONE 2 (4)
TVA TVF WG
WG TVF TVA
R
TYPE 10