Changing how a tone is sounded (tmt), Check the structure setting, P. 56 – Roland Piano Manuel d'utilisation

Page 56: P. 56, p, 56 creating a patch

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56

Creating a Patch

Sns 1–4 (Matrix Control Sens 1–4)

Sets the amount of the Matrix Control’s effect that is applied. If you
wish to modify the selected parameter in a positive (+) direction –
i.e., a higher value, toward the right, or faster etc. – from its current
setting, select a positive (+) value. If you wish to modify the selected
parameter in a negative (-) direction – i.e., a lower value, toward the
left, or slower etc. – from its current setting, select a negative (-)
value. When both positive and negative are selected, the changes are
greater as the value increases. Set it to “0” if you don’t want this
effect.

Value:

-63– +63

Tone 1–4 (Tone Control Switch 1–4)

Matrix Control Tone selects the tone to which the effect is applied
when using the Matrix Control.

Value

:

The effect will be applied.

R:

The effect will be applied in reverse.

TMT Control Sw (TMT Control Switch)

Use the Matrix Control to enable (ON), or disable (OFF) sounding of
different tones.

Value:

OFF, ON

You can also cause different tones to sound in response to notes
played at different strengths (velocity) on the keyboard (p. 58).
However, the Matrix Control and the keyboard velocity cannot
be used simultaneously to make different tones to sound. When
you want to make the different tones to sound, set the TMT Vel
Control parameter (PATCH/TMT) to “OFF.”

Changing How a Tone Is Sounded

(TMT)

fig.03-14_50

For details on the setting, refer to

“How to Make the Patch

Settings”

(p. 42).

TMT

Structure 1 & 2, 3 & 4 (Structure Type 1 & 2, 3
& 4)

Determines how tone 1 and 2, or tone 3 and 4 are connected.

Value:

1–10

The following 10 different Types of combination are available.

fig.Struct-01

With this type, tones 1 and 2 (or 3 and 4) are independent. Use this
type when you want to preserve PCM sounds or create and combine
sounds for each tone.

fig.Struct-02

This type stacks the two filters together to intensify the
characteristics of the filters. The TVA for tone 1 (or 3) controls the
volume balance between the two tones.

fig.Struct-03

This type mixes the sound of tone 1 (3) and tone 2 (4), applies a filter,
and then applies a booster to distort the waveform.

TONE 1 (3)

TONE 2 (4)

TVA

TVF

WG

WG

TVF

TVA

TYPE 1

TONE 1 (3)

TONE 2 (4)

TVA

TVF

WG

WG

TVF

TVA

TYPE 2

TONE 1 (3)

TONE 2 (4)

TVA

TVF

WG

WG

TVF

TVA

B

TYPE 3

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